Exotic Opera in the 19th Century Essay Example | Topics and Well Written Essays - 750 words

Exotic Opera in the 19th Century - analyse Examplethitherafter, the researcher will conduct a brief literature review that will analyze the dissimilarities between Verdis harmony and Maricos music which is used in their operas. Similar studies will also be evaluated before making a conclusion on the differences between the two operas (Locke,Musical Exoticism, p, 154).There are three chief trends that exhibited exoticism all through the nineteenth century. These trends includes the utilization of western music alongside exotic elements in operas, the introduction of amative exoticism through music and dance and relying on the audience to make a decision on the extent of exoticism (Locke,Musical Exoticism, p, 157).The most plain dissimilarity between the two operas is based on the reality that II trovatore uses more melodical inventions with tunes which are quotable in nature, that are not shown in Verdis opera. For this reason, different people such as Edord Hanslich said that the music used in II trovatore was shot from a pistol because it is both direct and encompasses personable melodies. For instance, in the start of act II where there is a movement from the Anvil chorus of gypsies into the Azucena chorus, there is richness of melodies that ensures that the drama is moved in an electrify way through the opera (Locke,Musical Exoticism, p, 155).These differences brings out different stereotypes concerning Europeans and gypsies. Thereby creates a conflict among different people and characters, this conflict are apparent in the two operas. For instance, Julian Budden points out that European music is more eminently expressive, aspiring, has high quality content, and features long-breathing phases that make the audience to relate effectively with what is being strain in the opera. On the contrast, Gypsies uses music which is composed of short and common phrases and repetitive rhythmic patterns whose overall totality is