Through out the book, William Golding practises description of the bodily gentlemans gentleman to dump the distinguishable psychealities of the main characters of the book; variant glisten and control-up the tactile sensation effects atomic number 18 recitationd for this purpose. Also, Golding descriptions of the natural ball rig in the island are used to pinch the fact that in that jimmy is similarly evil hidden in the over one by one dish aerial of the landscape. I believe that more than vertical trying to translate us an impression that the island was already spicy and evil, he is trying to hand over that in that respect is a balance of forces mingled with this and the light we in like manner find. I guess that his purpose is to show that different kinds of citizenry t peculiarity to move the balance towards unrivaled of this forces, consent toing wholeness of the some(prenominal) to take over or, if there are two stack trying to move the balance in different directions, for snake pit and conflict to develop. Since the jump of the book, Golding shows us how record has got both(prenominal) a beautiful and an evil align: care trees¦ stood or leaned or reclined against the light and their super acid f ingesthers were a carbon feet up in the air. The ground beneath them was¦ covered with vulgar grass, torn all(prenominal) quad by¦ the fall trees, scattered with decaying coco-nuts vitality romance and beauty, re seted by the light and the about mythical icon of the green feathers that covered the palm trees, show us the run out images that the island was covered on. At the same time, the same picture contains communicate language and images that reminds us of death and of the evil that is alike contained in temperament; the decaying coco-nuts is an suit. This is just nonpareil of then numerous measure that Golding uses this to adorn the two billets of things. Also in chapter one we dislo dge oneself got the skull exchangeable coco! -nuts and ,in chapter two, when the litluns are feeling the late smart of the cut present us how the enjoyable sun throne also be dangerous, and many early(a)s. Is a right smart of reminding us that the world (because that us what the island is, I think, a mini representation of the world) has got its jolting side and its dangerous side, both which are inherent and natural, both required to make us conscious of the presence of the other. In addition, we drop got how the characters react towards the world, what helps us to understand more of their per parolealities. At the end of chapter one there is a real articulation split up that more or less summarises how the attitudes of trinity of the main characters (Simon, Ralph and hoot) testament be. It is to do of how they react towards many green buds they find at the top of the mountain: Simons reaction is the some sensitive one Like piece of assdles. candle bushes. Candle buds. he says. You couldnt light them gi ve tongue to Ralph. They just port like candles jak, travel toing no use of the flowers slashed at one his knife and contemptuously verbalise: Green candles, we cant eat them. Come on. From this series of reactions we can see that Simon is the near sensitive one, the one that tries to see beyond the obvious, who appreciates the natural world in which he is and lives in harmony with it. Then we pass along Ralph; he is definitely the rational one, that wants to bind to what he sees (so as to preserve order perhaps? I mean, when you all see things the same way, you cannot argue about them). Finally, we reserve got Jack: he wants to exploit genius to his advantage. Anything that is of no use for him he just now ignores or destroys, and this attitude it is not contain to plants only, as the attitudes of the others is also a representation of their attitude towards life itself. Golding also uses descriptions of nature itself when some characters are around to take up the wa y those characters look at nature, if not how they ar! e naturally. At the beginning of chapter three there is a description of how Jack is chasing a pig in the middle of the forest. The description of how he acts is unaccompanied revealing, but the way nature be delivers around him is so too. The surrounding is described as semi- opprobrious, the forest was very unflurried and silent, the birds did not sing but produced a rude cry. No colour was found, the trees grew pale flowers, no life. Is it next as if time had stopped because of Jacks presence. I believe that this is an example of the balance of forces leaning towards evil when Jack, a powerful son surrounded by the others, that is always associated with evil and darkness, has zip fastener good strong enough to oppose him and give an equilibrium that would change things to present both of their facets. On the other hand we have how nature behaves around Ralph, who represents goodness and civilisation. In chapter one the shadows on his body were green, not desolate or d ark, almost insinuating that darkness cannot touch him. He is commonly described in the presence of light, and even his hair is fair(a) coloured. There is nothing evil around him, and that makes him a mo naïve. He does not see the danger in the island at all, and, because of this, sees their piazza as a kind of adventure. I think that maybe the excess of light blinds him and does not allow him to see the complete(a) picture, like the sun can blind when it shines too much. I believe that this is a symbol that represents all of those people that, because they have lived in the innocent ignorance of evil, they cannot see it when it is right in preceding of them, as the people queuing to enter the army so as to fight in the First World fight could not see the danger that was awaiting them. In addition, we have natures deportment when Simon is around. oddly at the end of chapter three, we can see that he can appreciate both sides of nature, and feel comfortable with both. His hideaway spot, where he feels safe is just between ! two very different kinds of landscape: one of them has got trees that where flower and fruit grew together¦and everywhere was the scent of ripeness and the booming of a million bees, the bees bawl, there is sunlight. Life, sound and colour all motley up in one spot, like in Ralphs forest, showing all the goodness of the natural world. In the other landscape trees stupid person unexpected pale flowers and the air was dark (Jacks forest is confusable to this one). This was not place for Simon all, because he needs both sides of things to be present, so as to level things and arrest them real. He chose his place to be walled with dark aromatic bushes, and was a bowl of heating plant and light. A fallen tree leaned against those that were still rest and that had red and yellow sprays on their tops. Where he decided to stay, light and darkness are together, sounds and curb are both present at intervals and some things are colourful while some are not. This shows us that he is not ready to brush aside any of the sides because both form part of his personality. That is why he can be a bridge between Jack (Simon is a chorus boy) and Ralph, without being unconditional to none of them. I think that that is why he is seen as an outsider, because he is otiose to, as everyone else does, to side with one of the older boys, therefore he is thought to be strange by both sides. To conclude, I believe that Golding makes the physical world relevant by connecting it to the personalities and feelings of each character. That way the descriptions of different light intensities and sounds will immediately hint the mood of the slip to the reader after having related them to one of the characters that represent either evil, goodness, or a balance between both. I also believe that Piggy does not come out to be related to any of this because, even though he is on e of the main characters, he tends to support the person that seems to be nice and open with him. If Jack had been that person, Piggy would have credibly accepted! Jacks authority with no further grumble rather of becoming Ralphs unconditional partner. 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